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Covid-19

Royal Mail and our other regular global couriers have stopped asking for signatures when delivering parcels to customers. In cases where a parcel does not fit through a letterbox, the courier will leave the item at the door, and will step aside after knocking to ensure there is a safe distance while you retrieve your parcel.

In addition, some couriers are experiencing delays at this time. We would be grateful if you could have patience with us during this challenging time. 

‘I want to make a picture that could stand on its own, regardless of what it was a picture of.  I’ve never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.’ – William Eggleston

William Eggleston’s photographs are special for their eccentric, unexpected compositions, playfulness, implied narrative and, above all, his portrayals of people. Over the past half-century he has created a powerful and enduring body of work featuring friends and family, musicians, artists and others.

Eggleston frequented the 1970s Memphis club scene, developing friendships and getting to know musicians, including Ike Turner, Alex Chilton and others. His fascination with the nightclub culture resulted in the experimental video Stranded in Canton (2005), which chronicles visits  to bars in Memphis, Mississippi, and New Orleans. At the same time he encountered and photographed the likes of Dennis Hopper, Eudora Welty and Walter Hopps – and for a brief moment Eggleston even entered the Warhol Factory scene, dating the Warhol protégé, Viva.

William Eggleston: Portraits accompanies the first exhibition to explore Eggleston’s pictures of people. Works included span his career from the 1950s through to his well-known portraits of the 1970s to the present day. The catalogue includes an essay, chronology and beautifully reproduced exhibition plates, as well as a revealing interview with Eggleston and his close family members, conducted in Memphis by exhibition curator Phillip Prodger.